Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Here are all the paintings of Nesterov, Mikhail 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
19636 In Small and Secluded Convents Nesterov, Mikhail In Small and Secluded Convents 1915 Oil on canvas The Artistic Museum, Odessa
19637 Portrait of Elizaveta Kruglikova Nesterov, Mikhail Portrait of Elizaveta Kruglikova 1939 Oil on canvas The Russian Museum, St. Petersburg.
19635 Portrait of Olga Nesterova, The Artist's Daughter Nesterov, Mikhail Portrait of Olga Nesterova, The Artist's Daughter 1906 Oil on canvas The Russian Museum, St. Petersburg.
80974 Taking the Veil Nesterov, Mikhail Taking the Veil between 1897(1897) and 1898(1898) Medium Oil on canvas cyf
19633 The Vision to the Boy Bartholomew Nesterov, Mikhail The Vision to the Boy Bartholomew 1889-90 Oil on canvas The Tretyakov Gallery, Moscow.
19634 The Vision to the Boy Bartholomew Nesterov, Mikhail The Vision to the Boy Bartholomew 1889-90 Oil on canvas The Tretyakov Gallery, Moscow.
85923 Tzarevich Dmitry Nesterov, Mikhail Tzarevich Dmitry Oil on canvas, The Russian Museum, St. Petersburg, Russia. Date 1899(1899) cyf

Nesterov, Mikhail
Russian, 1862-1942 Russian painter. From 1877 to 1881 and again from 1884 to 1886 he studied at the Moscow School of Painting, Sculpture and Architecture under the Realist painters Vasily Perov and Illarion Pryanishnikov. Between 1881 and 1884 he worked under Pavel Chistyakov (1832-1919) at the Academy of Arts, St Petersburg. At the estate of Savva Mamontov at Abramtsevo he met the most influential painters of the period, then at the epicentre of the development of Russian Art Nouveau. Nesterov sought to combine this style with a deep Orthodox belief; however, in his desire to revive religious art he was influenced more by French Symbolism, particularly by Bastien-Lepage, than by old Russian icon painting. All of Nesterov's canvases are marked by a lyrical synthesis between the figures and their landscape surroundings, as in Hermit (1888-9; Moscow, Tret'yakov Gal.), which shows the stooped figure of an old man against a northern landscape of stunted trees and still water. The large oil painting Vision of Young Bartholomew (1889-90; Moscow, Tret'yakov Gal.) depicts the legend of the childhood of the Russian saint Sergey of Radonezh. A monk appears to the young Bartholomew (the future St Sergius) and prophesies a glorious future for him.
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